top of page
IMG_4391.JPG

Production & Operations

On time, on budget and above expectations

Spanning creative, technical, and managerial positions I have strong knowledge and understanding of event and concert operations and logistics. I believe that each event requires an individual approach from conceptualisation right through to delivery. I strongly believe that Production Management starts with a collective, well-facilitated team, equipped with effective environments and resources to achieve the common end goal. Often working to strict guild lines, under pressure to ensure the event is delivered on time, on budget, to its highest potential. 

 From international touring for theatrical and dance works to production support for national concerts and events, Logistics and Operations are of the highest priority. From consultation and paperwork through to execution and archival, the entire production process is not overlooked. 

​

Highlights Include:

Operations Coordinator for Sunsuper Riverfire & Brisbane Festival

Site Manager - Brisbane Festival

 Production Manager - The Producers for Altitude Theatre

Production Manager - Once On This Island for Altitude Theatre

Production Manager - Mamma Mia for Matt Ward Entertainment

ob%+ahD3QXGysAhr4I5Anw.jpg

Systems, Playback Programming & Design

​

Cue'd, armed and ready to G.O. 

​

With Extensive knowledge across Figure 53's Qlab 2,3 and 4 across networking, audio, video and apple scripting. Qlab programming across multiple venues, dates and schedules are an enjoyable task. 

​

I have successfully integrated Playback control to;

​

- Dataton Watchout

- Crestron & AMX Systems

- OSC Triggers to EOS Based Consoles

- Midi Triggers to MA based consoles

- OSC Triggers to Midas, A&H, Yamaha and Black Magic Systems 

- Wall Clock and Time of Day Triggers 

- IOS Custom Touch Panel Intergration

​

Programming for Clients including 

Great Big Events

Shake and Stir Theatre Co 

Brisbane Powerhouse 

Altiude Theatre

Various Private Clients 

QUT Creative Industries Faculty 

Fig 66. Carols in the City 2016, Monitor

Live Audio

High quality service, effective systems tailored to deliver the strongest of sounds

With a strong focus on Concerts, Events and specialised projects, I have held a variety of audio-related positions on multiple events around Australia. Specialising in radio distribution, systems design and production execution for events ranging from State Opera and Orchestra programs to broadcasts, musicals, and corporate events I believe in an individualistic approach to each event rather than a one size fits all package. Using strong connections to Australia's highest quality rental houses with only industry-standard equipment to ensure consistent high-quality sound and efficient systems for each and every event. 

​

Audio Credits Include - Systems and Various:

 System Sound: Come From Away 2021 (RF)

​

Queensland Theatre;

MouthPiece, Emerald City: 2020

​

(RF) Opera Queensland; Kiss Me Kate, Candide, Opera In the Vineyard, The Merry Widow (RF) ;

 

Premiers Dept; G20 Cultural Celebrations;

Carols in the City 14,15,16,18,19,20  (RF) ; Queensland Music Festival; One

Hundred & One Years;

Harvest Rain Theatre Company: Cats,

Footloose;

 

Queensland Folk Federation: Woodford Folk Festival 15/16 (Small Hall, Fire Event, 16/17 (Blue Lotus, Pond), The Planting 16 (HOD Sound)

bottom of page